Killing Mama (First draft of part of a thing)

Killing Mama (First draft of part of a thing)

Mama is down at Kirsten’s house having whiskey and Cokes with Kirsten’s daddy. While she is gone, this is my plan:

  1. I will sneak into the bathroom in the dark.
  2. I will take mama’s yellow toothbrush out of the cup by the sink.
  3. I will take the bottle of Windex, which is poison, and I will dip her toothbrush all the way down into the bottle.
  4. I will put the now poisoned toothbrush back into the cup and tonight, when she brushes her teeth, she will fall over onto the pink tile floor and be completely dead.

That is my plan and I do it.

Later, I’m on my bed in the dark, thinking about finding Mama on the bathroom floor after I poison her. I imagine telling Molly and Lynne to come in and see her, lying completely still, in her black robe, with her infected ear, right beside her yellow toothbrush.

The neighbors come over to comfort us because it is a sad day when your mother dies, usually.

I stop thinking about that.

Mama is still not back from Kirsten’s. I’m surprised because when Kirsten’s mother comes home Mama usually skidaddles right out of there because Kirsten’s mother is a health nut and hippy-dippy, Mama says. But she must be having a whole lot of fun over there tonight.

Staring at the glowing stars I have stuck to the ceiling, I start thinking again.

I think about how maybe the police would be called to the scene to solve the mystery of the dead woman with the toothbrush. It’s not what you would call an everyday thing. There would probably be a detective like Columbo, and he might get a feeling about the case. He might take me down to the station to answer a few questions. He would give me a coke and a donut while he smokes a cigarette to help him think.

He will ask me for my alibi and I will tell him this: I went to Rose’s department store to find a certain color of lipstick that I need. They did not have it, I will tell him, because it is sold special only at Castner-Knott’s, which is in Nashville where I couldn’t get to, so I spent the whole afternoon looking at Rose’s department store and didn’t end up buying anything, but I was there, is what I’ll say.

I thought of that alibi a long time ago when I was making the plan, which is how I had it ready.

In the end, Columbo would probably get one of his funny feelings, where he touches his nose and sort of looks up, closing his eyes. He would have a feeling about me, but he wouldn’t say anything because he would be able to see that I was a good girl underneath it all, even if Risa Niedermeyer and all those priss-pots say different, and that Mama was just a bad egg who got what she deserved. He would talk to Miss Nunley at Hobgood Elementary, who would tell him that I am almost never late, and that I won the poster making contest about the four food groups, and I would tell him that I am going to be a Campfire Girl when I am old enough, which is proof that I am a normal person inside, no matter what things look like on the outside.

And then I do the thing professional murderers never do. I get a picture in my head and I look at it: Mama on the floor, next to her toothbrush, dead and gone. I see how she’s funny sometimes, and how Grammie says she can’t help the way she is. And I think how I could never tell anyone the bad thing that I had done, not even Molly and Lynne because even though they hate Mama as much as I do sometimes, they would never commit the crime of poisoning.

I’m the one who would do that.

In my imagination I see Mama walking home from Kirsten’s house. She is happy and talking to the alligators, like she always says, taking her clothes off on the way. She puts on her pink nighty, not the black bathrobe. I see her reaching for her toothbrush and I know what will happen next and I don’t want it to happen after all.

I jump from my bed and look out the window down the street. I don’t see Mama coming, but I know she’ll be here soon. I only have a minute.

I run to get the yellow toothbrush in the pink bathroom. I turn on the hot water and hold it under until it’s steaming. I smell the toothbrush and it smells ok but what if it’s not? What if Windex is so poison that even a little could kill you? Like the people next door who had a baby that drank just a little lighter fluid and died before someone could get to it? Or what if the poison just makes Mama sick and she wonders maybe did someone poison her toothbrush and she calls the police herself, and maybe it won’t be Columbo, but a real scary policeman like the one in that movie I saw about the Badham County Women’s Prison?

There’s not much time.

I take the dripping toothbrush, wrapped in toilet paper, and sneak down the hall. I go out the back door to where the trash cans are. It’s pitch dark and hot as Hades. I lift the lid of one of those cans and push the toothbrush way down under some old hotdogs and a wet Cap’n Crunch box, where even Columbo wouldn’t have the nerve to look.

Next thing, I am washed, in my pajamas and under the covers, staring again at the glowing stars.

I can’t stop thinking. Risa and those girls and even Miss Nunley, they would all say the same thing– no matter what your reasons are, almost killing your mother is nearly as bad as really doing it. It’s not something you do if you are good.

I squeeze my eyes shut and wish so hard for god to change my insides.

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I could not come up with anything to write last week.

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I guess it’s more accurate to say that, although I did come up with something last week, I could not stand to publish what I came up with last week.

I could not stand for one more minute, the sentences beginning with I,

the licking out of every corner of my mind.

And then presenting it for you to read?

Unthinkable.

“If you don’t enjoy doing it, don’t do it,” my husband sometimes tells me.

“But I am. I am enjoying it,” I tell him right back.

I enjoy learning that what catches my eye isn’t always the shiny thing, like it was when I was younger. At fifty, I’m not afraid to reach in and pluck the dark moments of any given day. Writing about them, I find they are like berries, the darker the sweeter.

I even enjoy the things about blogging that make me want to take an ice-pick to my computer screen.

Things like software issues, algorithms, SEO optimization and grammar zealots. Last week, after I posted this, I got an email from someone telling me that I should get a proofreader, as I had misused it’s and its several times.

And you know what?

I loved her for that.

In another situation I probably would have gotten shitty about her comment. “That wasn’t the point,” I might have shot back, in defense of myself. I might have made her wrong to whoever would listen, only later taking a bath in my own shame, thinking, it’s true. I’m not smart enough to do this. Everyone sees it.

But because I want to improve my writing more than I want to bubblewrap my ego, and because she was absolutely right, I corrected the mistakes she pointed out (there are many more, I know) and gave a silent prayer gratitude for her suggestions, and for my own surprising ability to not be a jerk about it.

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So yes, I love writing here.

Then what’s the problem? Why am I so worried that I’m taking up this tiny bit of space that should be given to someone else?

Sandra Cisneros gave this piece of advice: “Do not write about what you remember. Write about what you wish you could forget.”

It is Christmas afternoon and my mother is yelling at me that the gifts I made for her and my father were an embarrassment. I had not taken the time I should have, she stands over me and yells, to make sure they were done well. She tells me that I am selfish, thinking I could give him that awful ashtray with “Daddy” painted in red over blue paint that had not yet dried. The paint smeared and looked muddy.

Slapdash.

Mama is furious because, even though I am in third grade, I should know what is high quality work and what is not. That plywood I had been so happy to find under the house, on which I painted a picture of a fish and a ferris wheel for her, was still rough, she yells. It should have been sanded, goddamnit. I should be ashamed, she says, before slamming her bedroom door.

And I am, because she is an artist, and my mother, so she knows.

I never told anyone this story because it always seemed both too sad and also not sad enough to make for interesting conversation, but eventually, I shared it for the first time with a therapist. I couldn’t understand why this quick scene wrecked me when I thought of it.

“That’s must have hurt when your mother said those things,” she said.

“Yeah, but she had a point,” I smiled and shrugged.

“What do you mean?”

“I could have done better.”

“You were in third grade and these were gifts you had made. For her. Who cares if you could have done better?”

“I know, but I knew the paint was wet,” I reason. “And I should have sanded the edges of that painting. She was right.” My therapist looked at me a long time, the way they do. My mother’s words, like a splinter, were in too deep.

Then decades pass. I have not seen my mother in many years. When she is hospitalized, I go to clean out her apartment, where I find stacks of her sculptures, and an outside storage unit filled to the ceiling with even more.IMG_6571 (1)

Taped to many of the pieces are notes describing how they could be improved. Some read like passionate letters of apology, full of frustration and plans of how to make it right next time.

She was in love.

She was in love with the process of creating but her work,  precious in her own eyes, was never, ever good enough for the eyes of others. So she packed all those sculptures away until she died.

The healing of shame is a lifelong process, and the shitty part of it is that the only way I’ve found to heal shame is to let myself feel it.

To write the sentences that begin with I.

When the time came to post on this blog last week and what I had to say seemed half-baked, I picked at that scab a little bit.

Amateur.

Uneducated.

Bored housewife.

This week I wrote what you are looking at right now. I could (part of me thinks that I should) just put it in a box labelled “Proofread. Needs work.” I could leave it to the real writers, wait until my boys are grown, until I get an M.A. (or even a B.A.), or some other permission slip from the People On Top. Until I learn, once and for all, the difference between it’s and its.

Instead, I’m giving it away.

Fuck it.

Because that’s what a personal blog is all about.

Oh, heads up, the edges are a little rough.